A 版画面提示词
subject_definitions:
<Subject 2> is Hou Longtao, a twenty-three-year-old man and the only person in this unit; follow the appearance, hairstyle, build and wardrobe given in <Subject 2>.
<Subject 3> is the pair of black-rimmed glasses worn by Hou Longtao; follow the frame shape and color given in <Subject 3>.
<Subject 4> is CA984航班头等舱, the first-class cabin of flight CA984; follow the layout, seating arrangement, interior materials and lighting given in <Subject 4>.
summary:
[reference generation] Inside the cruising first-class cabin <Subject 4>, the camera moves from an empty aisle-side seat to <Subject 2> at the window, then closes in as a faint, ill-fitting smile surfaces on his composed face. No one speaks.
retention_analysis:
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - his face, hairstyle, build and wardrobe follow the reference exactly, with no added costume or grooming details.
<Subject 3> (appears in [Shot 2], [Shot 3]): fully_preserved - the black-rimmed glasses stay on his face for the entire unit and are never removed.
<Subject 4> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the cabin layout, seat arrangement, interior materials and ceiling lighting follow the reference.
detailed_description:
The target video is live-action and cinematic, daylight at cruising altitude, with cool white ceiling light and bright sky light from the windows.
[Shot 1] A wide shot inside <Subject 4>, camera at horizontal eye level slightly below standing height in the aisle. An empty aisle-side seat fills the lower right foreground, its backrest and armrest close to the lens, while deeper on the left <Subject 2> sits in the window seat, softened out of focus, his silhouette squarely upright and turned toward the window. Cool white ceiling light falls from above and window light enters from the left, laying a narrow bright band across the empty seat cushion. The camera pushes in with small amplitude at slow speed, drifting roughly twenty centimeters forward and to the left while the focus racks from the empty seat to his profile, and it stops the instant his profile becomes fully sharp. No one passes through the cabin.
[Shot 2] At 00:03.600, on the moment the focus lands on his profile, the shot cuts to a medium close-up from forty-five degrees off his right front at eye level, framed from the chest up, with <Subject 2> placed on the right of frame and viewing space left open toward the window. Window light strikes the left side of his face and the lenses of <Subject 3>, while the right side of his face sits in cool white spill from the ceiling. His gaze stays fixed outside the window, his eyes almost motionless apart from one slow blink. At 00:05.200 the tip of his right index finger, resting on the armrest, taps once; about six tenths of a second later it taps again, loose in rhythm and free of agitation. His breathing is even, his lips stay closed, and his expression remains composed and mild with no trace of a smile.
[Shot 3] At 00:07.400, on the moment his fingertip lifts away from the armrest after the second tap, the shot cuts to a close-up from the same right-front side, dropped slightly to just above chin level and framed from the shoulders up, with <Subject 2> placed right of center. The lenses of <Subject 3> occupy a prominent part of his face and catch the bright sky from the window, half-hiding his eyes. At 00:07.900 his face turns slowly back about fifteen degrees from the window toward the camera side, his eyes still not meeting the lens. At 00:08.600 the right corner of his mouth lifts very slightly, the left corner follows, and a faint smile surfaces that he cannot quite suppress, a smile at odds with his neat, bookish appearance. At 00:09.100 his fingertip comes to rest on the armrest and stops. The smile holds at its faintest and spreads no further, his lips staying closed. For the final nine tenths of a second the camera holds a static shot on this posture, this angle of turned head, the faint smile and the reflecting lenses.
overall_soundscape:
A continuous air-conditioning hiss and the low-frequency drone of the engines run beneath the entire video, with no voices, footsteps or announcements in the cabin. Two very light knuckle taps on the armrest, half-buried in the drone, occur during the second shot, and his breathing remains calm and nearly inaudible.
non_diegetic_music:
N/A
